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Režim (radnih) migracija · iskustva, politike i promjene
* 22.5.2024. @ MaMa, Zagreb *
Na okruglom stolu smo se bavili praksama, politikama i mogućim promjenama režima radnih migracija. Usredotočili smo se na probleme s kojima se suočavaju migrantske radnice i radnici u kontekstu boravka, života i rada u Hrvatskoj kao što su nasilje i eksploatacija na radnom mjestu, kršenje prava, manjkava ili nepostojeća podrška javnih službi, rodno uvjetovano nasilje, ilegalizacija i dr. Također, među ciljevima ovog događaja je bilo i nadilaženje kategorizacije koja se temelji isključivo na administrativnom statusu.
Nizom primjera nastojali smo rasvijetliti činjenicu da je privremeno zapošljavanje radnica i radnika, primarno iz zemalja Globalnoga juga, samo jedno naličje globalnog režima upravljanja migracijama i da se politike izbjeglištva i radne migracije u mnogočemu preklapaju. O tome su najbolje posvjedočili kolegice i kolege koji se kroz istraživački, politički i humanitarni rad bave ovim i srodnim područjima.
Sudionici: Margareta Gregurović, Marija Vujeva, Luka Kos, Jakov Kolak
Moderacija: Romana Pozniak
Više informacija: mi2.hr/2024/05/z/
Događaj je nastao u suradnji Multimedijalnog instituta i projekata Instituta za etnologiju i folkloristiku: Poetike i politike etnografije danas, Prekarna kultura i budućnost rada (koje financira Europska unija - NextGenerationEU).
Переглядів: 91

Відео

Cruising sa Srđanom Sandićem : Ivana Dragičević
Переглядів 1202 місяці тому
* 2.5.2024. @ MaMa * Ivana Dragičević višestruko je nagrađivana novinarka koja se kroz svoju gotovo tri desetljeća dugu karijeru bavila globalnim pitanjima. Među ostalim, dobitnica je ovogodišnje regionalne nagrade Gordana Suša za najbolju TV novinarku u regiji, a nominirana je i za novinarku godine, od strane Hrvatskog novinarskog društva za svoje vanjskopolitičke kolumne Global fokus na N1 po...
Cruising sa Srđanom Sandićem • Aleksandar Stanković
Переглядів 6524 місяці тому
* 29.2.2024. @ MaMa, Zagreb * U novom Cruisingu s jednim od najvažnijih TV lica suvremene Hrvatske razgovarali smo o pjesmama, tekstu, (ne)izrečenom i depresiji, povodom knjige Depra koja već neko vrijeme oduzima (medijski i ini) dah. U goste nam je došao, one and only Aco Stanković. Aleksandar Stanković je rođen 1970. u Bačkoj Topoli. Novinar je HRT-a od 1995. godine. Poznat je po emisiji Nedj...
Cruising sa Srđanom Sandićem • Marija Andrijašević (2024)
Переглядів 905 місяців тому
* 25.1.2024. @ MaMa * S Marijom Andrijašević razgovarali smo o žudnji, ideji doma i domu koji uvijek izmiče. O poeziji koja svjedoči, gradi, i sumnja, a sve povodom nove, nedavno objavljene zbirke “Temeljenje kuće” (Fraktura, 2023.). O knjizi je napisano: “Knjiga pjesama u prozi Temeljenje kuće Marije Andrijašević grana se, poput čelične armature koja prožima beton, iz guste jezgre svog naslova...
Stephen Ross · Greifen / Graphein: Celan, Mandelstam, and the Gift
Переглядів 222Рік тому
* 16.6.2023 @ MaMa/Zagreb * mi2.hr/2023/06/untimely-imagination/
Aaron Schuster · Imagination and Self-Causation in Psychoanalysis
Переглядів 1,5 тис.Рік тому
* 18.6.2023 @ MaMa/Zagreb * mi2.hr/2023/06/untimely-imagination/
Klas Molde · Reclaim the Stars: Poetry, Imagination, Enchantment
Переглядів 214Рік тому
* 16.6.2023 @ MaMa/Zagreb * mi2.hr/2023/06/untimely-imagination/
Marlene Oeffinger · To speak (in) silence: Wahn and Imagination in Georg Trakl’s Song of the Recluse
Переглядів 71Рік тому
* 16.6.2023 @ MaMa/Zagreb * mi2.hr/2023/06/untimely-imagination/
Alexi Kukuljevic · The Unimaginable: From Sade to Beckett
Переглядів 156Рік тому
* 17.6.2023 @ MaMa/Zagreb * mi2.hr/2023/06/untimely-imagination/
Samantha Matherne · Imagination and Kantian Temporalities
Переглядів 567Рік тому
* 15.6.2023 @ MaMa/Zagreb * mi2.hr/2023/06/untimely-imagination/
Nora Fulton · Transcendental Appropriation - Kant and Heidegger, Schema and Transition
Переглядів 384Рік тому
* 15.6.2023 @ MaMa/Zagreb * mi2.hr/2023/06/untimely-imagination/
Amanda Holmes · The Guide to Reality and the Source of Illusion
Переглядів 134Рік тому
* 18.6.2023 @ MaMa/Zagreb * full title of the talk: The Guide to Reality and the Source of Illusion: Imaginary Lack in Lacan’s Seminar IV mi2.hr/2023/06/untimely-imagination/
Aubrey Grant · Remains of Night: Romantic Temporalities of the Nocturnal Imagination
Переглядів 116Рік тому
* 18.6.2023 @ MaMa/Zagreb * mi2.hr/2023/06/untimely-imagination/
Helmut Draxler · Damned to Imagine, Captured in Attraction
Переглядів 148Рік тому
* 17.6.2023 @ MaMa/Zagreb * the full title of the talk: Damned to Imagine, Captured in Attraction: The Social Imaginary and the Powers of its Symbolic Conditions mi2.hr/2023/06/untimely-imagination/
Nathan Brown · The Flowers of Andromache: Allegory and Ontology in “Le Cygne”
Переглядів 208Рік тому
* 15.6.2023 @ MaMa/Zagreb * mi2.hr/2023/06/untimely-imagination/
Paisley Conrad · The Afterlives of Plastic’s Form
Переглядів 65Рік тому
Paisley Conrad · The Afterlives of Plastic’s Form
David Cunningham · Hegel’s Poetic Imagination and the Sphere of Prose
Переглядів 166Рік тому
David Cunningham · Hegel’s Poetic Imagination and the Sphere of Prose
Antonia Birnbaum · Clumsiness: A Poem by Friedrich Hölderlin
Переглядів 313Рік тому
Antonia Birnbaum · Clumsiness: A Poem by Friedrich Hölderlin
Cruising sa Srđanom Sandićem · Zlatko Paković
Переглядів 484Рік тому
Cruising sa Srđanom Sandićem · Zlatko Paković
Cruising sa Srđanom Sandićem • Glorija Lujanović
Переглядів 325Рік тому
Cruising sa Srđanom Sandićem • Glorija Lujanović
Cruising sa Srđanom Sandićem · Sibila Petlevski
Переглядів 238Рік тому
Cruising sa Srđanom Sandićem · Sibila Petlevski
Komemoracija Dubravki Ugrešić • Zagreb
Переглядів 1 тис.Рік тому
Komemoracija Dubravki Ugrešić • Zagreb
Cruising sa Srđanom Sandićem · Suzana Matić (2022)
Переглядів 208Рік тому
Cruising sa Srđanom Sandićem · Suzana Matić (2022)
Cruising sa Srđanom Sandićem · Luka Mavretić
Переглядів 164Рік тому
Cruising sa Srđanom Sandićem · Luka Mavretić
Cruising sa Srđanom Sandićem · Đurđica Čilić (2022)
Переглядів 7762 роки тому
Cruising sa Srđanom Sandićem · Đurđica Čilić (2022)
Cruising sa Srđanom Sandićem · Monika Herceg (2022)
Переглядів 2882 роки тому
Cruising sa Srđanom Sandićem · Monika Herceg (2022)
Cruising sa Srđanom Sandićem · Nataša Govedić
Переглядів 4002 роки тому
Cruising sa Srđanom Sandićem · Nataša Govedić
Gregor Moder · To Be or Not to Be - Lubitsch, Shakespeare and the Theatricality of Power
Переглядів 3832 роки тому
Gregor Moder · To Be or Not to Be - Lubitsch, Shakespeare and the Theatricality of Power
Cruising sa Srđanom Sandićem · Andrija Škare
Переглядів 2012 роки тому
Cruising sa Srđanom Sandićem · Andrija Škare
Cruising sa Srđanom Sandićem • Martina Vidaić
Переглядів 3082 роки тому
Cruising sa Srđanom Sandićem • Martina Vidaić

КОМЕНТАРІ

  • @ollieirish2379
    @ollieirish2379 День тому

    this is far too close to 'middle-aged man says music was better in his day'. there was plenty of shining new music in 2014 that would have sounded extremely fresh and innovative in 1994, eg grime or Colin Stetson or Run the Jewels or Arca

  • @michaelallen1154
    @michaelallen1154 День тому

    Open borders doesn't help. Just saying.

  • @michelelamberti1327
    @michelelamberti1327 5 днів тому

    everything he says is true

  • @nidhishshivashankar4885
    @nidhishshivashankar4885 5 днів тому

    This guy loves to preen

  • @nightoftheworld
    @nightoftheworld 6 днів тому

    13:39 what we have today is vaporwave -the virtual mashup of all that came before, preserved cultural broadcasts foaming up and overflowing, trying to be remembered, even if only as an echo, inside of what’s new.

  • @KeithMakank3
    @KeithMakank3 7 днів тому

    It’s fair to say that music doesn’t innovate but it’s a presumption to assume music plays the same role as it did in his day. We have either lost music as a communal ritual or supplanted it with something else. Leaving music free to be commodified and emptied of its meaning.

  • @webspecific
    @webspecific 9 днів тому

    About 46 min. into your talk you begin to generalize about artists "making" as opposed to artists "ideas." This is unfortunate. I get that the tools, the execution, the emotions all contribute to a product, a concrete product. However, a fair number of artists, like critical theorists, have great, meaningful, transportable, influential ideas. They are not on automatic pilot. They are the Gertrude Steins and Stéphane Mallarmés of the world, and you can't just gloss them. You have to honor that ability. In one poem, Mallarmé contributed at least eight conceptually fundamental ideas that radically changed poetry. Those ideas are often pointed to and exclaimed over, but to actually put them into practice past moving words around on the page as a performative space, involves much deeper understanding. I've likely been unfair to you.

  • @riffraffrichard
    @riffraffrichard 10 днів тому

    No one is bored everything is boring, is a great slogan

  • @riffraffrichard
    @riffraffrichard 10 днів тому

    There’s also a technological arch with recorded music evolution. People like aphex twin pushed it very far in terms of computer editing. The recording technology hasn’t advanced that much since then. I think he makes some really true points about us being haunted by the past creatively.

  • @kristofferehrnstromlundkvi3928
    @kristofferehrnstromlundkvi3928 10 днів тому

    4:27 I made a covenant with mine eyes; why then should I think upon a virgin (or maiden)? Job 31:1

  • @Synochra
    @Synochra 11 днів тому

    watching this in 2024, I can't believe this is 10 years old

  • @mudhen9295
    @mudhen9295 12 днів тому

    I don’t think he ever got that capitalism plays a very specific trick with human subjectivity. We are split subjects (Lacan, mirror-stage) and will always feel unreal to ourselves because the image we have of ourselves really is just an image. Advanced capitalism is parasitic to that split - it promises a future without the split. That promise of wholeness (completeness) is the actual lure of the modern commodity. That’s why it’s impossible (or nearly) to imagine an alternative to capitalism. We can’t give up on that future wholeness. The way out is hard: abandon all hope of healing your split subjectivity (ouch). If you can do that, commodities will never look the same, the lure of completeness will be gone.

  • @virtue_signal_
    @virtue_signal_ 14 днів тому

    This is one of the most overrated speakers that I've ever heard.

    • @aminity548
      @aminity548 11 днів тому

      why?

    • @virtue_signal_
      @virtue_signal_ 11 днів тому

      @@aminity548 he lacks clarity and whines about the past.

  • @MarcassCarcass
    @MarcassCarcass 15 днів тому

    Talk about scrambled, cancellation of the future, really? What's it matter if nobody cares to stop authoritative violence against the nonviolent? You're psyoped.

    • @islandred
      @islandred 12 днів тому

      He spoke during a time of peak capital realism. It really fostered a sense of defeat within the movement.

  • @neonwind
    @neonwind 16 днів тому

    Yes, and this is where we are now. Chewing on the old rancid fat of the past. Static, no moving, his is best for the financial markets for the upper echelons of power, who are not a creative class.

  • @tio9896
    @tio9896 16 днів тому

    ‘What the internet provides is an oppressive weight of the past’ Damn 😧

  • @annascott3542
    @annascott3542 16 днів тому

    This is also exemplified by fashion. Everything is derivative now.

  • @rrickard2874
    @rrickard2874 16 днів тому

    New music culture largely follows technology, or anti-technology. When auto-tune is the latest breakthrough, you've got a sea of mediocrity.

  • @15clank
    @15clank 17 днів тому

    You really see the constant nostalgia in memes . Shrek, tobey macguire , shocked pikachu , etc . People in there 20s and younger memeing things I grew up with .

  • @misterinterrupt
    @misterinterrupt 18 днів тому

    some comments talking about how they wish Mark had heard specific music - completely miss the point. music culture is just one example of the larger issues. one band you think is cool is not at all new in this way that is being described. the effect of this disappearance of time marking is not as simple as new music suddenly not being found. this is a sickness of perception of time itself

  • @user-yp2sc1cy1n
    @user-yp2sc1cy1n 19 днів тому

    This guy needs to travel... e.g. for the Lebanese and Palestinians 2006-08 sound is Julia Boutrus. Not everyone lives in an academia-Starbucks-airport bubble of the dying empire. Sure, we're all affected by it but it doesn't mean we are all in the same boat and experiencing the apocalypse the same.

    • @EnzoFromItalia
      @EnzoFromItalia 18 днів тому

      Lebanon and Palestine are even more dead then Britain

    • @islandred
      @islandred 12 днів тому

      ​@@EnzoFromItalia There's still some sort of fervour in the periphery though (like Lebanon), but in the UK, everyone knows it is falling apart and no one knows what to do.

  • @markwrede8878
    @markwrede8878 21 день тому

    Investors want predictability, so the republic was overthrown November 22, 1963.

  • @codycurtin2295
    @codycurtin2295 21 день тому

    My heart breaks that the weight of what he was fighting was too much. My whole academic career is in his honor. No person has ever been so inspiring

  • @JB-qt3wo
    @JB-qt3wo 22 дні тому

    Odd that it seems digital technology has ushered in a new dark age. I suppose Spengler would say this is all just part of the cyclical nature of civilization.

  • @lansingmanor
    @lansingmanor 22 дні тому

    Let's face it: We're in a new 'Middle / Medieval' Period.

  • @shivabreathes
    @shivabreathes 23 дні тому

    “The future has disappeared” - interesting. Perhaps we have simply come to the logical end of “pop culture”?

  • @antun88
    @antun88 27 днів тому

    60s and 70s, up until the 90s were quite unprecedented. It was a huge technological and cultural revolution which we still haven't understood properly. Comparable to Reformation or the Renaissance. But people are discarding video games as not part of the culture. While in the future I feel the 2000s and 2010s will be remembered by this and not the movies or music. And only a boomer would say that there isn't originality or artistic value there. If you took a video game from 2010s and gave it to someone in 70s it would blow their minds. It's like someone in the 40s complaining about there is noting original in the theater anymore, while completely missing the revolution in the film industry. What about CGI in movies which really went on another level only in 2000s? I remember when I saw Lord of the Rings in 2001. I was absolutely mind-blown. I would have never imagined this is even remotely possible. Compare that to epic movies of the 80s which look like cardboard highschool plays compared to that. Then I wouldn't also forget about the rise of quality TV shows, which completely stollen spotlight to movies in the 2010s.

    • @liltick102
      @liltick102 24 дні тому

      Andre Navarro ii - go check out that channel. 70’s was the best decade for music period.

  • @rodmotor
    @rodmotor 27 днів тому

    Chuck Berry regarding the uniqueness of his music: "There ain't nothing new under the sun." There's some comfort in this timelessness.

  • @casteretpollux
    @casteretpollux 28 днів тому

    I'm writing this in the future relative to this talk. The main thing that strikes me is that music is very short compared with Beethoven or the 24 verse song about how beautiful is the valley in the place why I live. Who is doing long stuff?

  • @CallumDempc
    @CallumDempc Місяць тому

    Is this what smart people listen too, i was looking for a review of the best noise cancelation headphones

    • @islandred
      @islandred 12 днів тому

      He was a dull communicator, but his message is brilliant.

  • @Igor4723
    @Igor4723 Місяць тому

    Correction. 1994 was 30 years ago, not 20 years ago. Still hard to believe.

  • @LordWellfleet
    @LordWellfleet Місяць тому

    I would argue the rapidity of social and cultural change in the late 19th century through the end of the 20th was the exception to the rule and that we’re back in a period of slow change (which to many of us might feel like comparative stasis or backward-looking and so _feels_ like “the end of the future”) that has been the norm over the centuries.

  • @robleahy5759
    @robleahy5759 Місяць тому

    No

  • @sasazavodja2158
    @sasazavodja2158 Місяць тому

    Pozdrav Ivici, Aleksandar Zavođa-JNA

  • @dinosore4782
    @dinosore4782 Місяць тому

    Objectively wrong, this is just a hyperbolic attack on remakes and Taylor swift

  • @karlmooney1
    @karlmooney1 Місяць тому

    things go slower at the narrower parts of an eclipse and as we move closer to the wider parts there is a speeding up, like a whipping of time. its cerebral, because of time patterns that are imposed on us. not a lot of people know that you know

  • @EliasH-video
    @EliasH-video Місяць тому

    RIP Mark Fisher, you would've hated generative AI

  • @GoogleIdentity331
    @GoogleIdentity331 Місяць тому

    You know he is trolling when he refers to "value theory" (pronouncing it "walue") as a "valuable insight" (pronouncing it correctly) in a single sentence.

  • @eliane9916
    @eliane9916 2 місяці тому

    I don’t agree with him on the loss of futuristic art. Maybe 2014 was a slow down, but these past few years have had serious innovators that have toyed with Fisher’s idea of synthetic culture to cultivate a sort of alien futurism through the reconstruction of archaic sounds with newer technology in current approaches to post-club,(dark) plugg, and epic collage. (Artist-examples being Sophie, .cutspace, Fitness, Deffic1le, etc.). Of course his assessments are accurate regarding popular culture, but those lines of flight still exist and are still being pioneered.

    • @aotctd
      @aotctd Місяць тому

      hilarious

  • @anhumblemessengerofthelawo3858
    @anhumblemessengerofthelawo3858 3 місяці тому

    Brassier probably gets his coke from the same person as that other nut job? the one with the lisp.

  • @perlefisker
    @perlefisker 3 місяці тому

    One of the sure signs of our times is to see it as extraordinary peculiar. How did music in 1656 sound different from 1670? Another sure sign of our time is to make anything more important than it is - especially in culture and subculture.

  • @scenes_from_a_life
    @scenes_from_a_life 3 місяці тому

    the 21sst century has been a disaster for musicians

    • @RlsIII-uz1kl
      @RlsIII-uz1kl 3 місяці тому

      The music Industry has been exposed to be nothing more than a permeant political class and unelected globalist oligarchies (not all) in order to shape a consumer and constituent base. Pop culture is dead.

  • @gegriddleton1
    @gegriddleton1 3 місяці тому

    man rest in peace

  • @nevetsrenzuc
    @nevetsrenzuc 3 місяці тому

    This being already 10 years ago and still so current reveals everything of what he (so eloquently) is saying

  • @theclimberupwards1169
    @theclimberupwards1169 4 місяці тому

    3:31

  • @Quorthon.
    @Quorthon. 4 місяці тому

    Hard to believe believe this dude is a hardcore capitalist and egomaniac

  • @paleuribe
    @paleuribe 4 місяці тому

    Dude never heard [generic band doing musical pastiches with works from the last 20-30 years]

  • @dravendarkmatter
    @dravendarkmatter 5 місяців тому

    dude never heard 100 gecs.

    • @ttllymxico
      @ttllymxico 3 місяці тому

      lol. People styled like my Cultures and how we grew up, making LAME AS FVCK music.

    • @ttllymxico
      @ttllymxico 3 місяці тому

      You all seriously think all the Imitation going on is original ? And GOOD ? Their music fvcking sucks

    • @ttllymxico
      @ttllymxico 3 місяці тому

      Oh wow You also styled like How we grew UP

  • @BBBB-nd8pl
    @BBBB-nd8pl 5 місяців тому

    If we put as much effort and time into creating immortality, and other futuristic things as much as we do hollywood, movies, sports, ect... We could have been in the future by now...

  • @luvrx1000
    @luvrx1000 5 місяців тому

    People want to eradicate humans so bad